Dropping into Ancient Corinth (the CyArk and Google Partnership)

Years ago, a visitor to ancient Corinth (and other sites of Greece) had immediate access to most of the archaeological remains within the site. One could stand directly next to one of the standing columns of the Temple of Apollo, or even climb within the Fountain of Peirene, as I know a group of university students did two decades ago. Open access provided physical contact with remains thousands of years old, and the first-hand experience of exploring the complexities of ancient architecture, but this was not necessarily all good. There were dangers in letting visitors climb in and among the site’s entire remains, and the monuments themselves undoubtedly suffered for the wear. Eventually, the ropes, rails, and fences came, which bounded and directed the visitor’s experience, restricting access and keeping the visitor at a distance. At some sites, such as the fenced Lechaion basilica, fences effectively barred visitors from any access except during those rare times when the site opened its gates.

Digital environments are changing all of this again. While we cannot physically touch an archaeological site remotely, the advent of new tools for exploring sites from a distance mark an exciting development in archaeology today. You may recall that at the end of the excavation season in 2015, the ASCSA Corinth Excavations reported on efforts by members of CyArk — a non-profit that preserves cultural heritage sites through 3D modeling — to recreate the Peirene Fountain and Temple of Apollo. Last week CyArk and Google Arts and Culture announced a new partnership to make 3D models of Corinth and other archaeological sites around the globe available through its free digital archive. A gallery called Open Heritage features online exhibits and 3D models of sites and monuments. As the blog for Google Arts and Culture noted,

As part of this new online exhibition you can explore stories from over 25 iconic locations across 18 countries around the world, including the Al Azem Palace in war-torn Damascus, Syria and the ancient Mayan metropolis of Chichen Itza in Mexico. For many of the sites, we also developed intricate 3D models that allow you to inspect from every angle, using the new Google Poly 3D viewer on Google Arts & Culture.

 

Greek Reporter provides this brief overview of the work in Greece, with links to a TED Talk with Ben Cacyra, founder of Cyark.

Remote visitors to the Ancient Corinth Exhibition may with this slideshow “Explore Ancient Corinth Expedition” which explains how CyArk created their 3D models of Peirene Fountain and the Temple of Apollo (through LiDAR and photogrammetry) and showcases videos of late antique frescoes within the fountain of Peirene.

The expedition also links to pages that allows anyone to download the data. Here’s the lead page for the expedition:

In collaboration with the American School of Classical Studies at Athens and the Hellenic Ministry of Culture, CyArk documented the mythical Peirene Fountain and the Temple of Apollo in the city of Ancient Corinth, Greece. Survey of the extant structures was conducted primarily with LiDAR and both terrestrial and aerial photogrammetry. The surviving frescoes within the Peirene Fountain were surveyed with an Artec scanner, which measures the 3D shape of a surface using pulsating light and a camera system. CyArk’s digital documentation of the temple and fountain provided the ASCS with accurate and precise data on the current state of preservation for both architectural complexes. In particular, it was important to record Peirene which is currently closed to the public due to concerns surrounding its preservation. This work was made possible through the generous support of the Macricostas Family Foundation

Then go on to explore the interactive map that allows any viewer to drop the little yellow street view figure onto any of the photogrammetry points. Voila — anyone can actually move within the Fountain of Peirene for the first time in decades. You can also explore 3D models of the Temple of Apollo and Peirene Fountain.

Recall that Google has already made available interactive imagery of Ancient Corinth through its street view feature: you can drop into almost any street in the village anytime you want. Through its “photo sphere”, you can also drop into the archaeological site and have a look around.


The Open Heritage collection along with Google Maps provides another great opportunity for teaching students and the public outside of Greece about ancient Corinth.

Corinth, Christian Encyclopedia 1866

For this Friday photo blog, I direct the viewer to this steel plate engraving from James Gardner’s The Christian Cyclopedia, or A Repertory of Biblical and Theological Literature, published in London 1866.

The image, posted by Andy Brill here on flickr shows village of Corinth from the west, with the Temple of Apollo on a prominent rise and the dramatically vertical Acrocorinth to the south.

Life Among Ruins

The Department of Archaeology at the University of Amsterdam recently launched a new website “Byzantine & Ottoman Archaeology: Digging up answers in the Medieval Mediterranean”  as the official site for their VIDI-Research Project on material culture in the eastern Mediterranean after antiquity.  The project researchers Joanita Vroom, Fotini Kondyli,  and Yasemin Bagci are examining the ceramic artifacts at four major settlements of the Byzantine and Ottoman Mediterranean including Athens, Butrint, Ephesus, and Tarsus.

A little over a week ago this Amsterdam group hosted their conference, “Fact and Fiction in Medieval and Post-Medieval Ceramics in the Eastern Mediterranean – Are we on the right track?,” with papers exploring the relationship between ceramics and coins, and pottery and identity. 

Corinth enters the picture because the conference organizers chose the time of the conference to launch a new exhibition at the the Allard Pierson Museum of the University of Amsterdam called Life among Ruins: The Eastern Mediterranean in Word and Image (ca. 700 – 2000 AD)The exhibition, which will be on display from October to late January, explores the interaction of post-antique populations with the antiquities that always surrounded them.  The exhibition includes photographs of the ASCSA excavations in the Athenian Agora from the 1930s-1950s and “drawings, sketches and maps of European travellers, who visited the Eastern Mediterranean between the 17th and 19th centuries. These illustrations come from printed books and maps of the ‘Bijzondere Collecties’ of the University of Amsterdam”. 

   lifeamongruins

 

The first illustration one sees at the site is a drawing of the Temple of Apollo against the background of Acrocorinth. JHAllanThe image comes from John H. Allan’s A pictorial tour in the Mediterranean: including Malta, Dalmatia, Turkey, Asia Minor, Grecian Archipelago, Egypt, Nubia, Greece, Ionian Islands, Sicily, Italy and Spain (London, 1845, 2nd edition).  The drawing shows literally “life among ruins” as several men, a horse, and donkey casually interact over the buried remains of the Temple of Apollo, with a few scattered houses in the background below the slopes of a towering Acrocorinth.  The Temple of Apollo and Acrocorinth with its fortifications are the backdrop to human interactions and habitations.  To see the image and others in the catalogue, check out the website here

An Account of Travel to the Corinthia: Major Sir Greenville Temple (1836)

While conducting research on the diolkos of Corinth last year, I discovered the enormous corpus of scanned texts in Google Books relating travel accounts to Greece and the Aegean from the late 18th to 20th centuries.  These searchable texts offer the researcher an easy way of measuring historical interest in ancient landscapes.  I was interested at what point in time that the diolkos, defined by Strabo as a toponym for the ‘narrowest part of the Corinthian Isthmus,’ was redefined as a “portage road.”  Using Google Books allowed me to discern that the change had occurred by the mid-19th century.

I recently heard from Fotini Kondyli, who is organizing an exhibition for the First Amsterdam Meeting of Byzantine and Ottoman Archaeology, Digging up Answers to the Medieval Mediterranean.  In going through British travelers’ writings, she found and sent me this account by Sir Greenville Temple of a trip to Corinth in the 1830s (see pp. 58-64).  The account, which I copy out here, is also interesting in that it relates to a drawing from Harrison’s A Pictorial Tour in the Mediterraneanthat will be shown at the exhibition.  See the Google Books version for several notes that accompany this text.

I have posted this as a permanent page on the website.

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“At night we again lay-to, by the pilot’s advice, between Salamis and Lavousa island, (Aspis.)

On the 9th, after passing by the islands of Pente Nesia (Dendros,) Havreo, and Plato, we anchored in the beautiful little bay of Kehkrieh (Cenchres) at the head of the bay of Aegina (Saronicus sinus.) Our visit to Corinth we deferred till the following day, as it would have been late before we could have procured horses to convey us there; and employed the remainder of the day in wandering about the neighbourhood.—Passing by some extensive and ancient quarries, from which we had a fine view of the bay of Kalamaki, we went to Cososi (Schoenus.) The country through which we walked abounds with hares and partridges, and our sailors collected a great number of tortoises, some of considerable size. They formed very good soups. One mile in the opposite direction, and near the cape which divides the little bay of Kehkrieh from that of Galataki, we saw what Pausanias calls the baths of Helen, which are nine feet deep, slightly mineral, and though not warm, yet rather tepid.

The site of the ancient Cenchres is at present occupied by a single farm-house, near which is a well of excellent water. Cenchres was the naval station of the Corinthians on the east, as Leches was on the west. It contained temples dedicated to Venus, Isis, and Esculapius, and placed on a rock in the sea stood a statue of Neptune. Close to the sea, and in parts even covered by its waters, are the foundations of a variety of buildings, whose plans can distinctly be traced, as the walls still remain to the height of from two feet to three feet and a-half.

Next morning, having procured horses and mules, we rode to Corinth, nine miles distant. On our left rose a chain of bold rocky hills, on the side of which is the village of Xylo Kerata. Passing by some ancient quarries, we reached the village of Hexomili, or Korio Americano, built on Mr. Owen’s plan by the American missionaries, and consisting of three long rows of houses, parallel, but at a considerable distance from each other. It was almost entirely destroyed by the Greeks during the late commotions. Nearer the mountains are the ruins of a large house built for himself by the principal missionary. Beyond Hexomili are traces of an aqueduct, some tombs, and fragments of brick buildings.* Having crossed the stream of Eupheeli, we soon reached a small collection of houses scattered through a large extent of others in ruins; and this, to my surprise, I found to be Corinth!

The town is known indifferently by the names of Korinto, Korto, and Ghiurdos—and in different parts are seen the ruins of mosques, and minars, and those of an extensive serai, formerly the residence of the Turkish pashas. Adjoining the serai, or rather at the base of the rock on which it stands, is the fountain of Peirene, now called Aphroditi: it consists of a small stream gushing out of a fissure in the rock, whilst water drops from its overhanging ledge. This deliciously cool spot was formerly enclosed within the boundaries of the harem garden, and here doubtless many idle moments were spent by the powerful pasha—seated on the carpets of Persia, and surrounded by groups of lovely women, whilst he smoked his chibook, and perhaps indulged in the forbidden draught of wine. How changed is the scene !—no vestiges of the garden and its tulip-beds, the kioshks no longer exist, and a few dirty and squalid Greek women washing their rags, or carrying away jugs of water, have taken the place of the lovely inmates of the harem.

The town was entirely destroyed during the last revolutionary war, but a few houses are rising out of the ashes; the bazaar is tolerably supplied, and there is a good inn kept by a Cephaleniote. Opposite the governor’s house are the remains of a Doric temple, of which seven fluted monolithic columns remain, which at present measure fifteen feet seven inches in circumference, but before the edges of the fluting were chipped off, their circumference was sixteen feet; they were covered with a coating of stucco or cement, and perhaps painted. Antiquarians suppose the temple to have been dedicated to Minerva Chalinitis. Close to it, is an isolated mass of rock cut in a square form, and having a chamber excavated in it. This may be the tomb of Lais, but the lioness holding a ram between her fore-feet, which Pausanias states to have been sculptured on it, exists no longer.

Observing no other remains of antiquity in the town, we rode up to

…. “Yon tower-capt Acropolis,

Which seems the very clouds to kiss.”

The road was good and partly paved. The citadel is a large and straggling Venetian fortification with crenelated walls, which in parts rest upon portions of the old ones, composed of large, square, regular stones. It mounts about twentyfive pieces of cannon, many of which are Turkish brass pieces of forty-eight pounds, bearing the tooghra of Selim III. The garrison amounts to one hundred men.

On the highest point of Aero Korinto, elevated five hundred and seventy-five metres above the sea, are seen traces, round a small ruined Moslem chapel, of an ancient edifice constructed of large square stones, which may probably be part of the temple of Venus, which Strabo states occupied the summit. From this the view is really magnificent, embracing the gulfs of Ainabahkt (or Lepanto) and Aegina, divided from each other by the isthmus.* Half way across the Isthmus rise the Paleo Vouni mountains (Gerania) on the east, and Makriplai (Oneion) on the west; beyond whose western extremity, which forms Cape Malangara, (Olmice vel Acrceum prom.) is seen the Bay of Livadostro (Alcyonium mare.)  On the opposite shore are the heights of Galata; Ximeno (Cirphis,) and Lyokoora, (Parnassus,) in Phocis; —Zagora ( Helicon,) Koromilia,(Tipha) and Elatea (Cithceron,) in Boeotia;— the high land in Megaris; and Kerala, partly in that and partly in Attica ; —Salamis and other islands in the Saronic sea —the flat sea-board of Achaia, with Balaga (Lechaeum) the now filled up port of Corinth. In the rear are the two roads, which, winding through beautiful valleys and mountain passes, lead to Argos, Nauplia, &c; and the whole is bounded by the ranges of the Cellenus, Artemisium, and Taygetus.

In the different parts of the citadel are scattered a considerable number of columns, among which are some of very fine verd’ antico. There is also a very large reservoir of water, and, according to the on dit of the soldiers, no less than three hundred and sixty-five wells— one of these with a spring, which is situated in the parade-ground in front of the barracks, is said to be the source of Peirene, which again comes to light, as before-mentioned, under the ruins of the pasha’s serai.—During the Turkish rule, Aero Korinto contained a considerable village, only the ruins of which at present remain.

On an adjoining peak of the mountain is another, but smaller, fort, called Pendeh Scoofia, occupied by the Greeks for the purpose of bombarding the citadel from it. It mounts at present six guns and a bomb, and is garrisoned by twenty men. It was from this spot that Muhammed II., in 864, H., thundered against the Acropolis, which soon fell.

Returning to the yacht, we arrived in fifteen minutes west of Corinth, at the remains of an amphitheatre excavated out of the surface of the rocky soil. A small portion only of the seats remain, and as the lower seats have fallen in, the dimensions of the arena could not be accurately taken; it, however, seems to have been about two hundred and eighty-four feet in length, running nearly north-east and southwest, by one hundred and seventy-seven feet in breadth. At the north-east extremity, the entrance is cut through the rock, the roof being flat. At present it forms a large cave in which many Greek families took refuge from the Turkish forces during the late commotions.”

Temple of Apollo Photographs at the Benaki Museum

A recent article from the Greek Reporter highlights the photographic exhibition of James Robertson at the Benaki Museum:

James Robertson was one of the first prominent traveler-photographers to depict scenes of mid-nineteenth century Greece. Of Scottish descent, he has been identified as the engraver James Robertson, who worked in London around 1830. He first settled in Constantinople in 1841, where he spent forty years of his life working as a master engraver in the imperial mint. His photography career began in the early 1850’s when he opened a photographer’s studio in Peran, the European district of Constantinople. He died in 1888 in Yokohama.

James Robertson’s collection of photographs of Greece was published simultaneously in London and Constantinople. One of the few remaining portfolios (44 photos) entitled “Photographs by James Robertson, Athens and Grecian Antiquities” was donated by Rena Andreadi to the Photographic Archives of the Benaki Museum where it is treasured as a precious historical document and a rare example of early photographic art.

The exhibit, which includes photographs of the Temple of Apollo in the early 1850s, will run until August 21.  See the description at the Benaki Museum website.